The Kopprasch etudes are a staple of horn (and brass) teaching, yet they are a conundrum; some love them, some hate them. Those that love them tend to like the range and length of the etudes, combined with the clear articulation and dynamic requests. Those that hate them tend to dislike the boring predictability of […]
Please read the rest of this article at Horn Matters.![]()
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Please read the rest of this article at Horn Matters.
